PARTERRE BOX

REVIEW: Pink Flamingos: The Rose Tattoo on Broadway (for Parterre Box)

Like any good gay theatergoers, we seek out Tennessee Williams revivals with the fervor of truffle-sniffing pigs.

David and Cameron consider 15 promising young singers, vying for a prestigious prize.

Festival O19 ended on a sweet note, connecting Opera Philadelphia with the city and our musical future.

In this intriguing but confounding theater piece , creator Joseph Keckler wants to have his cake and eat it too.

This superb chamber-sized two-hander has a monumental, shattering impact.

Once again, the audacious Opera Philadelphia folks are playing without a net.

Domingo was out and Audra was in, as the Philadelphia Orchestra opens its season. Cameron and David were there…

Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.

The biggest problem here was sensory overload.

Although I saw this provocative production a month ago, I continue to think about it.