Worth the Wait — Ana Maria Martinez in Recital at PCMS (for Parterre Box)
Martinez is an artist of the first caliber, which was richly evident throughout this imaginative, substantial program.
Martinez is an artist of the first caliber, which was richly evident throughout this imaginative, substantial program.
I felt a surge of joy learning the Festival O will return in September.
Two young casts due justice to Tchaikovsky’s opera — and bring honor to the Academy of Vocal Arts.
Opera Philadelphia returns to the stage with an honorable, if not entirely convincing, mixed program.
Two singers at the top of their game in music as punishing as it is pretty.
Zachary James delivers a thoughtfully crafted, blessedly restrained Quixote/Cervantes.
These streamed recitals, warts and all, have allowed us to see performers let their hair down.
Ghena’s Russian Opera workshops were a source of joy to Philadelphia, and a contribution to music far beyond our city.
Opera is back, baby, and it’s good to be home!
MasterVoices’ imaginative traversal of Adam Guettel’s quirky, charmingly uncategorizable work continues.