REVIEW: Bedlam’s King Lear Is Deconstruction Without Reconstruction
Director Eric Tucker’s production seems like an exercise in “épater la bourgeoisie” smart ass-ness.
REVIEW: Brimming with Life: Opera Philadelphia’s Verdi Requiem (for Parterre Box)
I’ve heard starrier performances, but none that made a more powerful case for this masterwork.
reclining standards 